The following thesis studies the construction of a new subject in João Gilberto Noll`s work, marked in contemporary time by fragmented path and representation. This construction is provided by the articulations of the memory, the reinvention of the self, and the uses of the body, all identifiable in the development of the narratives and its protagonists. Primarily, the study overlooks the author`s work, emphasizing two of his novels as case studies - Hotel Atlântico and Berkeley em Bellagio -, proving the presence of the studied questions. Secondly, Lorde - Noll s last novel and top work of his aesthetical project - is analyzed, developing confluences among the studied questions and showing how his work points to the creation of a new notion of subject.