Título: | HISTORY AND UTOPIA: THE DOCUMENTARY OF SILVIO TENDLER | ||||||||||||||||||||||||||||||||||||||||
Autor: |
MARCIA PATERMAN BRASIL |
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Colaborador(es): |
MIGUEL SERPA PEREIRA - Orientador |
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Catalogação: | 02/FEV/2009 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||||||||||||||||||||||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=12998&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=12998&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.12998 | ||||||||||||||||||||||||||||||||||||||||
Resumo: | |||||||||||||||||||||||||||||||||||||||||
The work History and Utopia: the Documentary of Silvio Tendler
investigates the pact with the construction of political
memory assumed by the
Brazilian director, as well as discusses some of the
mechanisms responsible for
the resulting sense of displacement of his narrative
construction in the
contemporary scene. Tendler authored more than thirty
documentary films about
public personalities and national historical processes, both
indentified by the
desire to rework the political memory and raise
consciousness the authoritarian
past of the State. But his urgency to narrate dreams of
liberation, to follow
political ruptures, and to carry out the new hopes for the
construction of a
democratic future enters into conflict with the contemporary
productions in the
genre. In these productions the abandonment of the horizons
of dedication to
build utopias becomes explicit, as does the rejection of
attention to the public
sphere of political participation. To understand this
process, we write a brief
biographical description, select a few of his films, observe
his politics of historical
representation and the movements chronicled by the author.
We place his work in
dialogue with the main characteristics encountered in recent
narrative
documentary and with the theoretical tendencies of the
genre. Doing so, we try
and understand by what mode of rupture with the pillars of
thought that have
guided occidental modernism, that created accounts of
emancipation, ends up
creating suspicion of the collective identity reclaimed in
Tendlers work.
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