The convergence between the new technologies and literature inscribes itself in the human knowledge evolution process throughout history. The book is the oldest support for storing, recovering and transmiting knowledge; the traditional edition is based on a chain that joins authors, publishers, deliverers, booksellers, librarians and readers. This almost ancestral bookbinding is coping with a radical change using new means of production and generation of digital content. Its tools generate new forms to create, to spread out and to consume contents, simultaneously and jointly, stimulating a new type of edition, the edition 2.0. A study on the future of the book necessarily points out to a study of virtuality and its implications, in way that the book can be rethink ahead of the transformation process, technological and cultural generated by the phenomena (social nets, blogs, wikis etc) of this convergence. The objective of this research is not to study literature according to media studies, but to appropriate of the terms and concepts that construct this object and to consider an interface analysis between the media, evaluating in measure if of this remediation - as proposed by Marshall McLuhan and made by Friedrich Kittler -, settling a broader landmark to decide the relations between art, aesthetic and technology, aiming to contribute for these issues in this theoretical frame.