How does an observer from convergence media age may examine old media objects (painting, book, movie) and the primary media (body)? This thesis argues that a contemporary researcher´s interest on knowledge about the elements evolved in the body´s emotional expression, it´s apprehension by partners and it´s figures in analogical visual arts and literature drives him/her into high-tech contents as: what is digital media, immersive virtual reality, telepresence and cyborg. Follows that contemporary literacy is supposed to be definitelly engaged with a new kind of markup which holds intertextuality into hypertextuality: the links - the features we navigate by in the world wide web as well as in any hyperdocument. This problems increases its complexity by the progressive offering of friendly software of intervention on hipertextuality, what includes the theoretical texts we use o take as static forms. Other than a mere transference from one support to another (magnetic tape to DVD) and dependency of a prime analogical materiality, numeric languages not only transcode and emulate but they also synthetise images of any materiality (and decodes images of any materiality, one to another) from nothing other tem numbers. So, which place do literary theorists deserve if they do not socialize with the immaterial processes that begin to drive writting? The relationships between Communication Studies, Systemic basis on Cybernetic Theory, the Invisible College, Hypertext Theory, French Poststructuralist Philosophy (specially Deconstruction Theory) and Neurocognitive and Behavioral Neuroscience help us to essay on shaping a coherent aesthetic object.