This thesis examines the representations of the work of the poet Paulo Leminski on the Internet, focusing specifically on the microblogging site Twitter, the social networking site Facebook and Kamiquase (main site about the poet s work). The analysis starts discussing the relationship between art and technology and how the Internet is affecting literature (especially poetry). The inference is that the virtual environment refreshes, renews and enables new interpretations and creations from the work of Leminski - though such representations circulate in a fragmented and decontextualized way.