The focus of this research is the issue of orality confronted with the writing in the craft of actor-performer. Considering the theater as a placee look, an analysis of the theater/literature association and its distinction under the perspective of orality and vocation is operated. The notion of vocorality is presented in conjunction with concepts such as stuttering, voice-music and minor use, proposed by the philosopher Gilles Deleuze. There are also a look on use, proposed by the philosopher Gilles Deleuze. There are also a look on the instigating procedures by the artists Carmelo Bene and Demetrio Stratos. In a second part, it is composed a writing memorial of the practical process developed second part, it is composed a writing memorial of the practical process developed as an integral part of the research, which outlined a possible methodology for the scene operators engaged in the theoretical debate. The performance is characterized as teamwork, involving the actors participating in the experimental work, imagined, scripted and directed by the author of this dissertation.