Título: | ABOUT THE MARGINS BETWEEN ANGUISH AND DESIRE: CONSIDERATIONS ON THE LACANIAN OBJET PETIT A BASED ON ELENA FERRANTE S TETRALOGY | ||||||||||||
Autor: |
JULIANA NERY GONCALVES |
||||||||||||
Colaborador(es): |
MONAH WINOGRAD - Orientador MARCUS ANDRE VIEIRA - Coorientador |
||||||||||||
Catalogação: | 29/ABR/2025 | Língua(s): | PORTUGUESE - BRAZIL |
||||||||||
Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
||||||||||||
Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=70159&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=70159&idi=2 |
||||||||||||
DOI: | https://doi.org/10.17771/PUCRio.acad.70159 | ||||||||||||
Resumo: | |||||||||||||
The present work intends to investigate the notion of objet petit a – as forged
by Lacan in his 10th Seminar, The anguish – in the light of some passages and
narrative elements extracted from the tetralogy My brilliant friend, by Elena
Ferrante. The hypothesis of this investigation is that the study of the double role of
the objet petit a, between triggering anguish and causing desire, can benefit from
the use of Ferrantean fiction. From this perspective, initially, we covered the forays
of Freud and Lacan into the rapprochement between art and psychoanalysis, in order
to define a method to link the two fields. Furthermore, we present the writer Elena
Ferrante, highlighting unique aspects of her literary work, as well as the main
coordinates of her Neapolitan tetralogy. Then, after introducing the notion of objet
petit a, its anguishing facet is addressed in connection with the body, based on a
phenomenon that affects one of the characters in the novel, the smarginatura.
Finally, the examination of the nuances present in the friendship narrated by
Ferrante allows us to discuss the objet petit a function of causing desire, thus
displacing the smarginatura from its initial meaning.
|
|||||||||||||
|