Título: | GODARD IN MOZAMBIQUE: PHANTOM PROJECT, SURVIVING IMAGES | ||||||||||||
Autor: |
KAREN BARROS DA FONSECA |
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Colaborador(es): |
LUIZ CAMILLO DOLABELLA PORTELLA OSORIO DE ALMEIDA - Orientador |
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Catalogação: | 17/OUT/2023 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=64333&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=64333&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.64333 | ||||||||||||
Resumo: | |||||||||||||
This research is an investigation into the work of filmmaker Jean-Luc Godard
and Sonimage (his production company with Anne-Marie Miéville) in a joint project
with the government of Mozambique in 1978. The filmmaker would realize there the
film-report Birth (of the image) of a Nation, which would be the basis for the
elaboration of guidelines for the implementation of a future television network in the
newly independent country. Faced with the cultural policy of the Marxist government,
Godard saw an opportunity to use images as a revolutionary tool in a country not yet
dominated by the audiovisual industry, but nothing ever came of it. The conditions of
the project, both its motivation and its failure, reflect questions about art as an
instrument of political action and will be the basis for questioning the importance of
this experience, even if it failed, in the filmmaker s trajectory.
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