Título: | RHYMING WITH THE OTHER: (META)PRAGMATICS IN/ABOUT FEMALE RAP BATTLES ON YOUTUBE | ||||||||||||
Autor: |
LUCAS FELIPE DE OLIVEIRA SANTIAGO |
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Colaborador(es): |
MARIA DAS GRACAS DIAS PEREIRA - Orientador RENATA MARTINS AMARAL - Coorientador |
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Catalogação: | 21/MAR/2022 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=58098&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=58098&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.58098 | ||||||||||||
Resumo: | |||||||||||||
The focus of the present study is female Rap Battles. It seeks to understand
metapragmatics built in female Rap Battles on two YouTube channels. The research
lies in the historical and social assumptions of Hip-hop, in which Rap Battles are
inserted, as an environment of male hegemony. Its theoretical orientation is
Contemporary Sociolinguistics, within the scope of Applied Linguistics, in
interface with Linguistic Anthropology, Pragmatics and Philosophy of Language.
Language is understood as performance of meanings. Concepts of performance,
performativity, metapragmatics, indexicality, entextualization and scale are used.
The methodology adopted is ethnography with the concept of onlineOffline
mobility in a qualitative and interpretive view. The analyzed data point out that
when battles are posted on YouTube, stabilized meanings suffer a process of
rescaling and meaning productions. The word, as the central axis of the battles, is a
mechanism for operating meanings in struggles that cross the experience of the
MCs. Metapragmatics point to collective causes in a spiral fashion and bring other
voices to the rhymes. The semiotic process in the MCs rhymes seeks to produce
alliances between women in rap. Meanings are evaluated by the virtual audience in
comments, which promotes a reflective construction on the scales. Thus, we could
notice the productions of meaning in female Rap Battles work with orders of
indexicality, in order to operate metapragmatics on both cultural practice and life.
Meanings are intertwined by historical, political, social and cultural issues about
black women, lesbians, parenthood, sexuality, harassment, representation and
religion.
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