The dissertation presents the mapping of some of the modeling of Rio de Janeiro s Bate-Bolas fantasies, establishing a relationship between design and cultural manifestation to carry out an analysis of the possibilities of representing fantasy at different scales. The research is based on the notion of communicational sustainability, which aims to focus on the study of a celebration its sustainable dimension in terms of symbolic aspects and the production of meanings around its diffusion. The scale problem appears in the research when souvenirs are proposed that can disseminate the culture of Bate-Bolas in a positive and playful way. Using participatory design, we conducted an intervention research that includes class and play leaders who are part of the productive sector. As a methodology, we conducted interviews with people involved in the production of costumes, records of processes visiting sheds, participant observation in class exits, online projects and collaborative production dynamics. This dissertation is part of the Motirô project, a partnership with the Museu da Pessoa, which records celebrations representing popular culture and reports the impact they suffered from the social distance caused by the epidemic of COVID-19 among them, Bate-Bolas. The study provides a dialogue between participatory design and the concept of pedagogical language of things by the author Pier Paolo Pasolini, which describes the importance of materiality in individual and collective memory. The end result was the participation of those who played in the construction of the souvenirs, with a focus on the symbolic representation of the celebration and using materials used in costumes, recycling leftovers from these production resources.