Título: | STRANGENESS, FRAGMENTS AND RESISTANCE IN THE DIALOGUE BETWEEN AGNÈS VARDA AND CLARICE LISPECTOR | ||||||||||||
Autor: |
DANIELLA ROCHA CLARK |
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Colaborador(es): |
JULIO CESAR VALLADAO DINIZ - Orientador |
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Catalogação: | 24/JUN/2021 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=53408&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=53408&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.53408 | ||||||||||||
Resumo: | |||||||||||||
This thesis intends to build a dialogue between the Brazilian writer Clarice
Lispector, born in Ukraine and naturalized Brazilian, and Agnès Varda, a Belgian
filmmaker based in France. While the first established a paradigm shift in Brazilian
fiction, producing images from writing, the second became a reference of essayistic
cinema worldwide, using her narrative texts in off to expand the meaning of the
scenes that filled the screen. The analysis of their work reveals points of intersection
in the construction of their narratives: they both cultivate a curious look and similar
forms of estrangement and displacement, starting from the fragment to speak of the
whole and focusing on those who are on the edge. This thesis also seeks to identify
aspects such as flexibility and dissolution of the idea of script and linearity, both
temporal or as a plot that can be followed.
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