Título: | DISPLACEMENT POETICS: ARTISTIC PRACTICES ON THE EVERYDAY BODY | ||||||||||||
Autor: |
LUCAS VIEIRA DEMPS JORGE RIBEIRO |
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Colaborador(es): |
DENISE BERRUEZO PORTINARI - Orientador CARLOS EDUARDO FELIX DA COSTA - Coorientador |
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Catalogação: | 28/SET/2020 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=49641&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=49641&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.49641 | ||||||||||||
Resumo: | |||||||||||||
The research investigates, through a theoretical and practical approach, the
relationship between the aesthetic dimension of the human sensible experience
and the phenomenon of production of subjectivities – in a dialog with the field of
thought on aesthetics –, analysing a possibility, offered by the experimentation in
contemporary artistic practices, of flexibilization, or even rupture, with the
visibility and materiality regimes that configurate man s shared reality. A set of
artistic practices I conducted throughtout the research is taken as reference,
including works from artists such as Marina Abramovic and Ulay, Chris Burden,
Orlan, Stelarc and Tehching Hsieh, whose poetics consist essentially on the
intertwining of daily processes and artistic practices; a displacement poetics. It is
understood that through this aesthetic production it is possible to contemplate
strategies of the (subject s) body analogous, in specific terms, to an idea of
processes of subjectivation that allow the subject to have an experience of
displacement of self onto itself, a problematization of the very process of
constitution of a subjectivity. This way, an understanding of the means through
which aesthetics may configurate the subject s mode of existence is intended,
delimitating the way they operate in the world through its manifestations, as is the
questioning of the possibility of reconfiguration of such operations through the
aesthetic formative intention of contemporary visual and plastic arts.
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