Título: | THE FACES OF MARIA: ECHOES OF MARIA FIRMINA DOS REIS IN LÉLIA GONZALEZ, DJAMILA RIBEIRO AND MARIELLE FRANCO | ||||||||||||
Autor: |
RENATA CARMO ALVES |
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Colaborador(es): |
ALEXANDRE MONTAURY BAPTISTA COUTINHO - Orientador |
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Catalogação: | 20/ABR/2020 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=47581&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=47581&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.47581 | ||||||||||||
Resumo: | |||||||||||||
The dissertation focuses on the novel Úrsula (1859), by the writer Maria Firmina dos Reis, based on some interventions by Lélia Gonzalez and Djamila Ribeiro. The proposal is to examine different intellectual actions that, articulated, proposed to give centrality to the voice of black women. It is a propositional
dialogue between intellectuals who have committed themselves to the reflection about their own conditions of insertion in a society strongly marked by the permanence constitutive of traces of the colonial experience in Brazil. Based on ethnic and gender cleavages, the analysis of the nineteenth-century novel articulates with other feminine voices that, in the twentieth century, became remarkable
through gestures of resistance and insubordination, simultaneously echoing the project of Maria Firmina dos Reis.
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