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ETDs @PUC-Rio
Estatística
Título: PAIN AND PLEASURE AT THE MUSICAL PRACTICE
Autor: RODRIGO ALCANTARA DE SOUZA
Colaborador(es): CLAUDIA RENATA MONT ALVAO BASTOS RODRIGUES - Orientador
Catalogação: 22/OUT/2013 Língua(s): PORTUGUESE - BRAZIL
Tipo: TEXT Subtipo: THESIS
Notas: [pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio.
[en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio.
Referência(s): [pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=22175&idi=1
[en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=22175&idi=2
DOI: https://doi.org/10.17771/PUCRio.acad.22175
Resumo:
Despite being a little divulged issue both publicly and within the musical class, is high the number of musicians who suffer from pains, discomforts and even injuries and other health problems associated with the musical activity. About this, have been observed in recent decades, a growing interest from researchers, especially in the health area, which means there is already a considerable literature on the subject. However, there are still many knowledge gaps that need to be filled in order to make the musical practice (professional or not) less harmful.This study, which has an exploratory character, investigates this issue with a sample of 39 instrumentalists from Manaus, emphasizing the emotional aspects involved in the practice and how they can interfere in the perception of the constraints of these individuals. One of the main points discussed is that musical practice would be a favorable situation to occurrence of flow state (CSIKSZENTMIHALYI, 1997) what could justify the fact that many musicians don’t even realize the pain and injuries during the execution of the activity. It was applied at these respondents an instrument of data collection consisted on four parts: a questionnaire with general information about musical practice and constraints; a process of ordination of cards containing emotions/feelings involved in the practiced; a series of assessments scales about the flow state and about the dedication culture that exists in the musical environment; and a final interview seeking for more deeper opinions from musicians about the issue. The collected data were crossed and analyzed and the results indicate, among other conclusions, that musical practice from this sample, has similar characteristics from other where flow state is found, and still contain the importance of emotional matters in the practice, according to the participants musicians.
Descrição: Arquivo:   
COVER, ACKNOWLEDGEMENTS, RESUMO, ABSTRACT, SUMMARY AND LISTS PDF    
CHAPTER 1 PDF    
CHAPTER 2 PDF    
CHAPTER 3 PDF    
CHAPTER 4 PDF    
CHAPTER 5 PDF    
CHAPTER 6 PDF    
CHAPTER 7 PDF    
CHAPTER 8 PDF    
REFERENCES AND APPENDICES PDF