Título: | PAIN AND PLEASURE AT THE MUSICAL PRACTICE | |||||||
Autor: |
RODRIGO ALCANTARA DE SOUZA |
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Colaborador(es): |
CLAUDIA RENATA MONT ALVAO BASTOS RODRIGUES - Orientador |
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Catalogação: | 22/OUT/2013 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | |||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=22175&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=22175&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.22175 | |||||||
Resumo: | ||||||||
Despite being a little divulged issue both publicly and within the musical
class, is high the number of musicians who suffer from pains, discomforts and
even injuries and other health problems associated with the musical activity.
About this, have been observed in recent decades, a growing interest from
researchers, especially in the health area, which means there is already a
considerable literature on the subject. However, there are still many knowledge
gaps that need to be filled in order to make the musical practice (professional or
not) less harmful.This study, which has an exploratory character, investigates
this issue with a sample of 39 instrumentalists from Manaus, emphasizing the
emotional aspects involved in the practice and how they can interfere in the
perception of the constraints of these individuals. One of the main points
discussed is that musical practice would be a favorable situation to occurrence
of flow state (CSIKSZENTMIHALYI, 1997) what could justify the fact that many
musicians don’t even realize the pain and injuries during the execution of the
activity. It was applied at these respondents an instrument of data collection
consisted on four parts: a questionnaire with general information about musical
practice and constraints; a process of ordination of cards containing
emotions/feelings involved in the practiced; a series of assessments scales
about the flow state and about the dedication culture that exists in the musical
environment; and a final interview seeking for more deeper opinions from
musicians about the issue. The collected data were crossed and analyzed and
the results indicate, among other conclusions, that musical practice from this
sample, has similar characteristics from other where flow state is found, and still
contain the importance of emotional matters in the practice, according to the
participants musicians.
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