Título: | O DELFIM BY JOSÉ CARDOSO PIRES AND THE FORMAL MEANS OF A WRITER TO READ THE REALITY OF HIS TIME | ||||||||||||||||||||||||||||||||||||
Autor: |
FREDERICO JOÃO BERTRAND CAVALCANTE DE OLIVEIRA |
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Colaborador(es): |
IZABEL MARGATO - Orientador |
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Catalogação: | 17/AGO/2009 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||||||||||||||||||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=13990&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=13990&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.13990 | ||||||||||||||||||||||||||||||||||||
Resumo: | |||||||||||||||||||||||||||||||||||||
Aiming at the study of the novel O Delfim, this dissertation lines off the
singularity of Jose Cardoso Pires` fictional creation that with its impact on the
reader, works as a conductor of the imaginary, yet raising awareness of the reader’s
surrounding reality. While treating the existing proximity between both, based on
the studies of Wolfgang Iser, my goal is the identification of the role of the
imaginary and the fictional texts in the forming of societies and the construction of
reality. This work presents an analogy between the reading process and the textual
creation as well as the renewal of the imaginary as a fundamental part of reality.
Such analogy is then compared with the fiction of José Cardoso Pires. In the
creation process of this novel, the prominent position granted by the author to the
narrator as well as to the ideal reader and the recreation of the literary styles are
easily noticed. These are nothing but writing mechanisms to create building
perspectives of reality through literary representation.
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