This work is composed by different modes of text framing, according to a postmodern tendency. While weaving his fictionalized memories, the author presents and evaluates the performance of CEP 20.000 which he has helped founding, in 1990, and coordinates till this day. His perspective is that of the spectator of the town life, a kind of flâneur in the cultural scenery, where he gathers up the subjects for his writing produced in interchange with a net of friends. The first person of speech intends to be fragile since it is meant as an experience of textuality intertwined by a plurality of voices and viewpoints. The chapters are built in blocs alternating with a miscellany of chronicles, drawings, e-mails, letters, intervews, news, photographs, poems, short stories and fragments of other types of texts, published or not. The choice and articulation of this material was planned to establish a dialogue with the accademic discourse. The goal of the essay is to propose a writing strategy adequate to a broad understanding of the history of the present.