Modernity and neoliberalism have been reproduced and constructed in Latin America in a different way from that taken as original. This is because from the understanding of concepts by Veronica Gago, Nestor Garcia Canclini, and Silvia Rivera Cusicanqui, I understand that every discourse or rationality will always be transformed, distorted, to the extent that it is reproduced, especially if this reproduction occurs outside the birthplace of these rationalities, even if there is an active desire on the part of these societies to reproduce these categories, following European or North American models. In this way, the impossibility of the integrity of all reproduction ends up creating fractures on the surface of these discourses, with a great destabilizing potential that has the capacity to make a new scenario emerge, not only in spite of these rationalities, but precisely from the ruins imprinted in the societies that were crossed by these rationalities. Those who had their hearts turned into stone by the harshness of those rationalities. From this, using the methodology of Recorazonar, I will think alongside intellectuals and artists with the objective of stimulating us to detach from hegemonic categories, forcing the fractures evidenced by the eco-socioeconomic crises, in order to emerge new possibilities. In parallel, I seek to rescue those rationalities that have been suffocated and treated with disdain by the modern and neoliberal environment. These fractures can be provoked and deepened by looking at the ways in which these processes took place. But also, if we think alongside certain politicized artworks and aesthetic artifacts critical to these worlds we inhabit. Thus, my text in terms of mobilizing these aesthetic artifacts works in a twofold way: to potentiate the erosions of these cliffs of modernity and neoliberalism in the ways that they have occurred in Latin America, but also to think alongside the works by having my thinking guided by them into a place of critical thinking that they elicit.