The paper has the street comic Zé Ninguém as its object of analysis. Written on the streets of Rio de Janeiro, the graffitis made by the artist Tito na Rua dismiss the book as the only possible media for comics production. It reorganizes the relationship between the city streets and comics. If urban life and alternative comics, especially for the New York comics, already have a close relationship, what changes when the street walls are the main media, instead of the paper? And what if the comic book, as well as being a book of drawings, it is also a set of photographs? In this case, what changes in the relationship between the media, the narrative and the image? Guided by these questions and by Roland Barthes and Georges Didi-Huberman, the present paper is oriented towards the regard and the speech created by Zé Ninguém, of Tito na Rua.