Over time, Brazilian Protestantism has known some relevant artistic movements that have influenced its way of being and understanding its faith in direct contact with culture. One of the most interesting, though little-researched, movements was the initiative of young Christians who from the 1970s onwards began to use rock and roll as a language to express their faith and to communicate the kerygmatic message of the Gospel. Over the years, diverse themes such as internal conflicts of Protestantism, politics and social issues have become the agenda of bands that dialogue with youth through rock. There is in rock made by young Christians in Brazil the impulse to evangelization and prophetic protest, without leaving aside a biblical and theological basis, which can go unnoticed by those who are not used to the language of guitars, basses, and drums, but who have spoken to the minds and hearts of several generations of young people who can understand the Christian message in their own distinctive language. There is in poetry and melody a whim so that the message has content and form, technical quality and the exact measure that combines lyrics and music so that your message is properly transmitted. This research intends to affirm the work of gospel rock bands as an efficient element of evangelization, especially for young people, exploring the theological and artistic dimension of the songs of evangelical rock bands in the light of the Theology of Culture.