The aim of this work is to critically debate on the body within the field of popular song in Brazil. The way how, from the body and its in-scene-n-a(c)tion, new possibilities in several areas involving the production and reception of the song are opened to think about issues transcending popular music and consequently reverberating through Brazilian cultural life. My proposition is to reflect on the inscription of this body on the cultural scene in which its presence is implied, and on its decisive intervention in this field of production. Its unique capacity - if compared to the bodies of artists from other great areas of cultural production such as film, literature or theatre - of lasting as an aesthetic, social and political index of our society. This very special place that the songwriter occupies in Brazil, and which solely finds similarities in a few other countries where popular music has developed with the same strength. The body will work here as a blender processing all these indexes, an(de)nouncing them as concrete data from an experience.