Título: | WHEN CONTEXT ENTERS THE SCENE: ARTISTIC CAREERS IN THE VIDIGAL COMMUNITY | ||||||||||||
Autor: |
MARCELO JUCA QUINTAO |
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Colaborador(es): |
ANA HELOISA DA COSTA LEMOS - Orientador |
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Catalogação: | 09/JUL/2025 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=71472&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=71472&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.71472 | ||||||||||||
Resumo: | |||||||||||||
This research, developed in Administration and, above all, in the field of
career studies, has as its central purpose to investigate the contextual conditions that
influence the professional trajectory of artists from the lower classes, focusing on
the experience of individuals trained by the cultural association Nós do Morro.
The research is based on the premise that career studies often emphasize individual
agency and the mobilization of personal competences by artists, disregarding the
structural influence of the social context in the construction of these careers. Based
on Pierre Bourdieu s theory of practice, the thesis analyzes how the concepts of
habitus, field and capital (cultural, social, economic and symbolic) interact to shape
the opportunities and challenges faced by these professionals. The study seeks to
understand how these artists negotiate and manage their capital to enter and remain
in the competitive performing arts market, marked by selectivity and the strong
presence of social networks. The research adopts a qualitative approach, with
interviews and analysis of the trajectories of artists who have passed through Nós
do Morro, an institution recognized for training actors from the Vidigal community
for the cultural market. The results show that, although these individuals have
gained space in the creative industry, their trajectories are strongly crossed by
structural barriers and dynamics of symbolic and material exclusion. Thus, the
study contributes to the debates on artistic careers, social mobility and the strategies
necessary for artists from marginalized groups to consolidate their professional
careers.
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