This research s goal is to reflect about Fantástico (TV Globo) process of production, a weekly eletronic magazine – release in 1973 – that presents on sunday nights the news as a spectacle, and offers, then, a voyeur experience to the telespector. The study held nine interviews with professionals that integrated or integrate its production and looks to comprehend how the show transformed itself throughout the time, from two segments present since its launch: the choreographed opening and the closing with the football scores. Said structure and exhibition continuity, during more than five decades, has been constructing certain memory about the country and world events. Three segments that defined the shows tone are also analyzed - as case studies - for basting tematics related to the day-to-day life with pills of information: a) Retrato Falado that looked to engage the public with true stories of and quot;common people, staged by the actress Denise Fraga; b) news stories developed by journalist Eduardo Faustini, who staged certain situations and reported through cameras on clandestine deals and corruption crimes, and thus placed the public, indignant and eager for justice in the shoes of the police reporter: c) Bola Cheia, Bola Murcha that showed amatour clips on the same segment in which news about professional football closed the evening schedule. The segment launched a time of convergence on the show, by encouraging the publics collaboration and making the viewer also a content creator.