Título: | HERITAGE EDUCATION: URBAN DIALOGUES BETWEEN HERITAGE AND GRAFFITI IN HISTORY TEACHING | ||||||||||||
Autor: |
ELISANGELA NOGUEIRA ANANIAS |
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Colaborador(es): |
JUCARA DA SILVA BARBOSA DE MELLO - Orientador |
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Catalogação: | 22/MAI/2025 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=70544&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=70544&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.70544 | ||||||||||||
Resumo: | |||||||||||||
This paper aims to reflect on the role of Heritage Education as an essential
tool for the valorization and preservation of cultural heritage, encompassing both
historical buildings and contemporary artistic expressions, such as graffiti. The
research proposes a dialogue between tradition and modernity, which is crucial for
the formation of citizens aware of their cultural identity and their role in
preserving heritage. Heritage Education raises awareness about the importance of
cultural heritage, promoting activities that encourage the recognition and
preservation of both material and immaterial cultural assets. In the school context,
this approach integrates with the curriculum, primarily in the History subject,
according to the SEEDUC/RJ (2022) Reference Curriculum, strengthening
students connection with their cultural heritage and promoting respect for
diversity. Graffiti, often associated with marginalization, is redefined as a
legitimate form of art that addresses relevant social and political issues, serving as
a visual communication tool that transforms urban space. In a constantly changing
world, it is essential that heritage preservation adapts to new social and urban
realities. The integration of Heritage Education, heritage, and graffiti contributes
to innovative learning that values both traditions and contemporary expressions.
However, challenges such as inadequate teacher training, deficiencies in teaching
methodologies, and students lack of interest in cultural heritage still need to be
overcome. It is believed that methodologies such as Heritage Education and
Project-Based Learning (PBL) can foster a critical stance in students, helping to
form conscious and active citizens in cultural preservation.
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