Título: | FASHION DRAWING CUTS AND SEWS SIXTY S CULTURAL REVOLUTION: JORNAL DO BRASIL S ROLE IN THE BRAZILIAN FASHION FORMATION | |||||||
Autor: |
GILDA MARIA CAROLLO CHATAIGNIER |
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Colaborador(es): |
DENISE BERRUEZO PORTINARI - Orientador |
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Catalogação: | 03/AGO/2005 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | |||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=6729&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=6729&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.6729 | |||||||
Resumo: | ||||||||
This dissertation s subject - Fashion Drawing Cuts and
Sews Sixty s
Cultural Revolution / Jornal do Brasil s Role in the
Brazilian Fashion Formation -
enrolls itself in fashion drawing, seen as a visual
expression form, as well as an
artistic an a cultural one - where one can emphasizes its
relevance among press.
Origins, concepts and inner relations are established,
especially in which concerns
design. Our intent is try showing how twenty century s
sixty decade, within all its
cultural and behavior, is indirectly responsible for the
changes observed in fashion
and its images - through what fashion is documented as a
peculiar system, marked
by its trifle and ephemeral way, not less than by
seduction.
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