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Título: THE BODY AND THE DANCE AS AN ANCESTRAL MEMORY SPACE IN AFRICAN CULTURE: THE CREATION OF AHOSIS DOLLS
Autor: JOCINEIA PEREIRA DOS SANTOS
Colaborador(es): NILTON GONCALVES GAMBA JUNIOR - Orientador
HELENA THEODORO LOPES - Coorientador
Catalogação: 02/JAN/2024 Língua(s): PORTUGUESE - BRAZIL
Tipo: TEXT Subtipo: THESIS
Notas: [pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio.
[en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio.
Referência(s): [pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=65769&idi=1
[en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=65769&idi=2
DOI: https://doi.org/10.17771/PUCRio.acad.65769
Resumo:
This research has as its theme the body as a space of ancestral memory, with the proposal to intervene in its representations, through the creation of the Ahosis Dolls, based on the experiences offered to the artisans of the Onikojá Institute, in the Corporal Movement Workshop, related to maculelê, samba de roda, congado and samba. As a methodology, notably, action research proposed the experimentation of body movements associated with the cultural manifestations then listed, in order to promote the expansion of the motor repertoires of the artisans involved, in the perspective of favoring the creation of dolls with new postures that refer to the memory ancestor of African origin. Although impacted by the social isolation imposed by the Covid-19 pandemic, the development of this methodology became possible with the holding of remote meetings, as well as with the possibility of partnership with the DHIS Laboratory, in which the activities promoted by the Museum stand out. da Pessoa in the research and extension project with MOTIRÔ, having been the fundamental celebrations for the construction of the present study, given its function, its crafts and its collective dimension.
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