With different types of approach, contemporary artistic practices aim to blur the boundaries between life and art/design. This research presents the development of a series of artistic propositions carried out throughout the doctoral period. Initially, interested in eating together and consequently in collective actions, with the arrival of the pandemic and social isolation, the focus was redirected to individual aesthetic practices. This combination of the collective and the individual ended up establishing a rhythm of awareness of the artist. For the analysis of the works produced, we associated the creative rhythms with the life cycle of plants: germination, sprouting, growth and death. In the process of building the critical parameters, we mainly used the thinkers Michel Foucault, Roland Barthes, Jacques Rancière and Claire Bishop, thus determining a type of aesthetic-political approach to the works. In its consolidation process, this research relates body, aesthetics and politics.