Título: | VERBAL CARICATURE IN MOCIDADE MORTA, BY GONZAGA DUQUE | ||||||||||||
Autor: |
FABIO GUEDES RODRIGUES |
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Colaborador(es): |
ALEXANDRE MONTAURY BAPTISTA COUTINHO - Orientador VERA LUCIA DE OLIVEIRA LINS - Coorientador |
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Catalogação: | 20/OUT/2023 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=64385&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=64385&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.64385 | ||||||||||||
Resumo: | |||||||||||||
This work intends to analyze the category of verbal caricature in the novel
Mocidade Morta, by Gonzaga Duque, brazilian symbolist writer and art critic who
also worked in the late 19th century press of Rio de Janeiro. In the novel, characters
are in general presented as verbal caricatures and appear as a critical element of the
artistic world of that time, also known as Belle Époque, when the Imperial Academy
of Fine Arts reigned supreme, and peopled by artists who were rather interested in
travel prizes to study in Europe and in their own acclaim, than in creating a Brazilian
modern art, free of academic precepts and preconceptions.
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