This text central interest is to propose a debate, in the Arts field of study, about the body and writing processes of black voices, analyzing vissungos — worksongs and sonic imaginations — and relating them to concepts of Social Sciences, Economics, Philosophy and Performing Arts. The expression of strategies and lifestyle in the processes of dehumanization individuals submitted to an uninterrupted experience with the utility, the exploitation, the exhaustion. The foundation of the studies observes authors from the 1980s, such as Joel Rufino dos Santos, Lélia González, Nei Lopes and Neusa Santos Souza, among other important figures of thought. The study intends to contribute to writing processes moving by foot, searching for ethnographic dérives (Florencio,2015) ; to raise questions about urban mobility in an Afro-diasporic perspective. This master s thesis follows paths between literature and becoming-black of the world. It observes presences, memories and affections of the body in the face of colonial permanences.