Título: | THE PROCESS OF PATRIMONIALIZATION OF IMAGINARY JUDAISM: THE CASE OF THE HOLOCAUST MEMORIAL IN RIO DE JANEIRO (2016–2020) | ||||||||||||
Autor: |
BIANCA PEREIRA BASTOS |
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Colaborador(es): |
JUCARA DA SILVA BARBOSA DE MELLO - Orientador MICHEL GHERMAN - Coorientador |
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Catalogação: | 23/MAI/2023 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=62629&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=62629&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.62629 | ||||||||||||
Resumo: | |||||||||||||
The present work purposes to understand the political-theological, social and
identity relations present in the process of uses of imaginary Judaism by the new
Christian right in Brazil. Comprising neo-Pentecostal groups and conservative jews,
the right establishes commonalities that extend beyond the conservative aspect. To
understand this dynamic, we turn to the implementation process of the Memorial to
the Victims of the Holocaust, located in Morro do Pasmado in Rio de Janeiro. This
object provided a case analysis for understanding the grammar of action of the new
right that goes beyond the religious field, starting to dispute in other spheres, as is
the case of heritage and memory. In order to explore the theme, interviews were
conducted with actors involved in the process of building the Memorial (curatorship
and architecture), in addition to surveying the process that involved the National
Artistic and Historical Heritage Institute (IPHAN), the Federal Public Ministry
(MPF) and the Association of Residents and Friends of Botafogo (AMAB). Such
sources provided a perspective on the elaboration of the building, until its
implementation, addressing the political and memory disputes of the groups
involved.
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