In an unquestionable state of vulnerability, the refugee condition is pervaded by a range of power and violence relations, which turns their survival into an increasingly tortuous journey. One can hardly fail to mention their precarious state that makes them subjects of humanitarianism that, through a discourse of care typical of humanitarian governance, transforms these refugee individuals into a large body full of open wounds ready to be sutured. When faced with a complex border apparatus of securitization, they are treated as a threat to the order and maintenance of the structures and way of life of a society that is apparently incapable of responding immediately with hospitality. Once settled in urban centers, the experiences of these populations are also permeated by the power relations that are present in their daily lives, in their condition as refugees and as precarious life, being reduced to their struggle and their pain, turned into pure and depoliticized victims. At first sight, anonymous, abandoned, securitized, managed bodies, whose forces were diminished by the journey and the discourse about their lives. Inspired by the analytical propositions of the Autonomy of Migration, this dissertation is interested in looking at migration and, consequently, at refuge as political itself; affected by the film Era o Hotel Cambridge (2016), by Eliane Caffé, it focusses on urban daily life as a space-time from which we must also think about this autonomous politics of migration. In this work, I seek to reflect on the resistance and politicization of life in condition of urban refuge, outside the axis of citizenship, shifting the possibilities of their political experiences to a place of indiscernibility from the power relations that seek to predicate them to a set of expected subjectivizations. The impetus that moves this work is the desire to be able to look at other places, other relations, other affections, other worlds, other than those outlined by the signifiers of modern politics closely related to the essentialized figure of the citizen, demarcator of belonging and exclusion, qualifying asset of life. This work is an invitation to seek to trace new routes, to unveil other paths in the difference that is made common, recapturing the urban refugee condition (and their bodies marked by precarity and the precariousness of life) as political in the encounters at the crossroads of everyday urban life.