Título: | FROM BODY TO FASHION: PRACTICES AND METHODS IN DESIGN FOR PLURAL BODIES | ||||||||||||
Autor: |
LUIZA FERRO COSTA MARCIER |
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Colaborador(es): |
CARLOS EDUARDO FELIX DA COSTA - Orientador |
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Catalogação: | 16/AGO/2022 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=60201&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=60201&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.60201 | ||||||||||||
Resumo: | |||||||||||||
In this dissertation, we investigate the notions of body, design and fashion
articulated to the production of subjectivity in the field of design, through methods
and practices of drawing, especially those of creation in fashion. We started with a
bibliographic and imagery review to raise and analyze concepts related to the
themes and expand the definitions contained in the research object. We present
drawing as an action and as a growing territory in methods and practices capable of
creating relationships and encounters as forms of engagement within the field of
design.
In order to do so, we use the works of Richard Serra, Oskar Schlemmer,
Frida Kahlo, Auguste Rodin and Henri Matisse and the reading of Michel Foucault,
David Le Breton, Gilda Mello e Souza, Georg Simmel, among other authors, as
well as the review of the methods and practices developed in the discipline Creation
in Fashion between 2007 and 2021, at the Department of Arts and Design, at PUC
Rio, concluding that practices that involve the body and thought are fundamental
for an expanded perception of design.
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