Título: | FOR EVERYONE: J.CARLOS DESIGNER | ||||||||||||||||||||||||||||||||||||
Autor: |
JULIETA COSTA SOBRAL |
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Colaborador(es): |
RAFAEL CARDOSO DENIS - Orientador |
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Catalogação: | 02/FEV/2005 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||||||||||||||||||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=5900&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=5900&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.5900 | ||||||||||||||||||||||||||||||||||||
Resumo: | |||||||||||||||||||||||||||||||||||||
Para Todos: J. Carlos Designer is a research work that
tries to bring
up some contribution on demystifying the idea that graphic
design in Brazil
started through the institutionalization of apprenticeship
in the second half
of the XXth Century, this dissertation focuses caricaturist
J.Carlos as a
graphic designer, between 1922 and 1930, when responsible
for magazines
published by O Malho S.A., owned by Pimenta de Mello & Cia.
Through graphic analysis of three of those magazines - Para
Todos, O Malho and Ilustração Brasileira - the idea was to
demonstrate that proposing different graphic design
solutions for each of
them, aiming each specific public, J, Carlos had an
approach in anything
different of the one of today s graphic designers, and
therefore there is no
reason why such a heritage should not be considered part of
our graphic
design memory. The quality of these projects makes the
study of resources
used a rich source of apprenticeship for design students.
First chapter establishes theoretical structure that will
guide graphic
analysis presented, being mentioned the various meanings of
modern
concept through history, baudelerian modernity, modernism
and art deco.
Second chapter concerns the twenties in Rio, making a
profile of graphic
artists of the time and of technical resources available.
Third chapter follows
J, Carlos work as a designer in above mentioned magazines
through graphic
analysis, observing technical and visual solutions proposed
for each of them,
in what concerns typography, photography and drawing,
considered
separately and related to one another.
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