Título: | A LOOK AT THE CONTENT PRODUCTION ROUTINE OF ESTÚDIOS GLOBO DURING THE COVID-19 PANDEMIC | ||||||||||||
Autor: |
LUANA PENEDO DA COSTA |
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Colaborador(es): |
SANDRA REGINA DA ROCHA PINTO - Orientador |
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Catalogação: | 04/OUT/2021 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=55186&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=55186&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.55186 | ||||||||||||
Resumo: | |||||||||||||
In early 2020, news emerged that Covid-19 was spreading across the world.
In March, the World Health Organization identified that it was a pandemic. In the
middle of the same month, with the first confirmed case in Brazil, government
authorities, given the lack of treatment for the disease and with the intention of not
compromising the health system, began to adopt social distancing as a measure to
contain the spread of the virus. In Rio de Janeiro, the State Government determined
that only essential services would continue to work in person. In this context, TV
Globo, the largest media and communication conglomerate in Brazil, was forced to
suspend activities in the entertainment sector, at Estúdios Globo. Content
production is a complex activity that involves the participation of several agents
and, with the flexibility of the law, the routines were resumed in a hybrid format,
involving the realization of steps in remote and in-person work. Then came the
interest in investigating how the pandemic impacted this operation. Using data and
methods triangulation as methodological support, document analysis, interviewees
reports and participant observation pointed out three relevant categories for the
understanding of changes: (i) emergence of guiding and facilitating artifacts, (ii)
imposition of new skills and (iii) emergence of new production models. The results
suggest that artifacts played a central role in the new work configuration, and the
biggest challenge for the interviewees was to develop the skills to work in the
scenario of uncertainty that was presented. In addition, the quest to maintain the
business encouraged innovation in processes.
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