This dissertation presents the theme of whiteness power structures and their mobilization to repress the brazilian funk art world. The objectives are: 1) to expose how racism, classism, patriarchy and cisheteronormativity inform the suppression of subordinate cultures; 2) develop an analytic category that helps to perceive the whiteness dynamics of cultural extractivism; 3) map and interpret controlling images about the funk culture; 4) use the brazilian funk s example to comprehend normative power dynamics; 5) establish a more complex perception regarding the dimensions of violence, forgetfulness, resistance and persistence – considered beyond the control dimensions. Racializing the elite s subjects, is the attempted way to comprehend whiteness as a social place of privileges and power. A walk, guided by a seller-narrator that assumes some typical whiteness performances and may even be confused by the author, is proposed in order to develop the Forgetter s Bazar as an analytical category and a heterotopia. The first movement occurs so that the category s concept as well as its presentation as an analytical enterprise are formed. Following the dissertation s path, the Bazar s offers are presented through the mapping of controlling images created by local elites to stereotypically describe the funk art world. Lastly, we exit the Forgetter s Bazar in order to place it in the contemporary urban context. The hegemonical power dynamics are comprehended from the intersectional point of view. The funk art world appears as a masses popular culture that resists to these oppressions, although, unavoidably, gets influenced by them.