Título: | THE UR-FASCISM YESTERDAY AND TODAY: LITERARY APPARITIONS OF A POWER METHODOLOGY | ||||||||||||
Autor: |
SERGIO SCHARGEL MAIA DE MENEZES |
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Colaborador(es): |
VERA LUCIA FOLLAIN DE FIGUEIREDO - Orientador |
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Catalogação: | 24/MAI/2021 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=52891&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=52891&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.52891 | ||||||||||||
Resumo: | |||||||||||||
Freedom House, an US institution, reported 2019 as the fourteenth year in
a row of a global democratic recession, a crisis that resuscitates the discussion
about the concept used to name these anti-democratic movements. Much is said
that they would be new versions of fascism, despite different characteristics in
each manifestation. Italian semiologist Umberto Eco anticipated this issue and
created a concept that seeks to resolve this issue: Ur-Fascism. Ur-Fascism is fascism
that never ends, that is reconstructed, reworked, adapted to each era, given
its infinite character. The different appearances of fascism are not limited to the
politics of reality: the politics of fiction tried to present it in different ways. Starting
from the discussion of a theoretical basis on political theory, in particular on
Ur-Fascism, it will be possible to perceive how fiction treated apparitions and
characteristics of this phenomenon, taking, for this, two objects: It can t happen
here, by Sinclair Lewis, and Look who s back, by Timur Vermes. Thus, it will be
possible to work on the Ur-Fascism idiosyncrasies of these fictions, their differences
and similarities, in line with the bases of political theory and, in the process,
expand both the state of the art on Ur-Fascism literatures and contribute to the
discussion on a little understood political phenomenon. Finally, it ends with a discussion,
based on the idea of fireflies, developed by Pasolini and Didi-Huberman,
about the importance of art, especially anti-fascist art, in the fight against Ur-
Fascism.
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