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Título: FULL OF MISSING LINKS: CHANTAL AKERMAN AND THE FORCES OF DESCRIPTION
Autor: LUCAS FERRAÇO NASSIF FERREIRA DOS SANTOS
Colaborador(es): MARIA HELENA FRANCO MARTINS - Orientador
Catalogação: 19/MAI/2021 Língua(s): PORTUGUESE - BRAZIL
Tipo: TEXT Subtipo: THESIS
Notas: [pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio.
[en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio.
Referência(s): [pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=52805&idi=1
[en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=52805&idi=2
DOI: https://doi.org/10.17771/PUCRio.acad.52805
Resumo:
This is a research which has the oeuvre of Chantal Akerman (1950 - 2015) as its main focus. The proposal was to describe one of Akerman s specific film - Les Rendez-vous d Anna -, in constellation with other of her works. While describing Les Rendez-vous d Anna, a reflection on the act of describing as an operator, an artistic and theoretical trigger, occurs. For that, the filmmaker is put alongside with the poet Anne Carson (1950) and the philosopher Ludwig Wittgenstein (1889 - 1951). This is a study that translates in its own composition, which has in its fabric audiovisual and poetic elements, a drastic belief in the thinking forces of art. Moving through the overview notion of description, we speak of themes such as artistic experimentation, the possible as aesthetic category, representation, experience, music, time, autobiography and death.
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