This research proposes an exploratory investigation on the use of carbonized residues, as feedstock in Additive Manufacture technologies, for the reconstruction of pieces lost in the fire that destroyed part of Federal University of Rio de Janeiro National Museum(MN) s collection, in September 2018. This work was possible due to the existence of digital files, from previous researches, which were generated through non-invasive and non-destructive processes for obtaining threedimensional surfaces of several pieces from the museum s collection. The main contribution of this work is characterized by the possibility of recreating pieces which incorporate symbolic and imagetic affective aspects to objects reproduced with MN s fire accident residues, through experiments carried out by researchers both from Digital Image Processing Laboratory, of the National Museum, and the National Institute of Technology. This research presents an analysis by scanning electron microscopy (SEM) and dispersive energy spectroscopy (EDS) of samples of this material, identifying its composition, and it follows three guidelines focused on different Additive Manufacturing processes, which resulted in the development of an extruded thermoplastic filament, a clay powder and a line that combines digital and analog manufacturing processes. All used in the recreation of pieces shown in exhibitions related to the National Museum.