Brazil s contemporary cinema has been producing communities of cinema, according to researchers we are approaching in this study. These cinema communities manage to organize different cinematographic visibility processes to those who find themselves in disadvantage in the representation system s disputes. According to theorist Jean-Louis Comolli, those disputes are the social and political disputes proper form, and responsible for establishing their visibility. Therefore, this work intends to inquire how recent documentaries are giving voice and image to the adolescents – their faces, their gestures, bodies and speeches. These boys and girls acquire, through cinema, an unexpected position, that enables them to make visible what was once unseen. In order to develop the study, this work analyzes the films A Vizinhança do Tigre (The Hidden Tiger, 2014), by Affonso Uchôa, Um Filme de Verão (Sun Inside, 2019), by Jô Serfaty and Espero Tua (Re)volta (Your Turn, 2019), by Eliza Capai.