ETDs @PUC-Rio
| Título: | THE AMAZING STORY OF LENY EVERSONG OR THE POWER OF MEMORY AGAINST AESTHETIC STANDARDS AND NATIONALISTIC PATROLS | ||||||||||||
| Autor: |
RODRIGO FAOUR TEIXEIRA |
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| Colaborador(es): |
JULIO CESAR VALLADAO DINIZ - Orientador |
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| Catalogação: | 01/JUN/2020 | Língua(s): | PORTUGUESE - BRAZIL |
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| Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
| Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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| Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=48407&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=48407&idi=2 |
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| DOI: | https://doi.org/10.17771/PUCRio.acad.48407 | ||||||||||||
| Resumo: | |||||||||||||
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This dissertation critically analyzes the work of São Paulo-born singer
Leny Eversong (1920-1984), who enjoyed great success back in the 1950s and
1960s, but vanished from the Brazilian cultural and artistic memory. It showcases
her legacy and issues regarding her biography to the contemporaneity. Besides the
redemption of her story, this work discusses the survival of female artists outside
the normative beauty and artistic standards in Brazilian media culture. It also
highlights the populist nationalism of the press and historians of her time when
dealing with an artist who stepped out with an essentially international repertoire
that did not fit the traditional criteria considered dear to them.
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