Título: | SACRIFICE AND DIVINE PATHOS: APPROXIMATIONS BETWEEN RENÉ GIRARD AND JÜRGEN MOLTAMNN | ||||||||||||
Autor: |
SIDNEI JOSE DA SILVA |
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Colaborador(es): |
MARIA CLARA LUCCHETTI BINGEMER - Orientador |
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Catalogação: | 16/MAR/2020 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=47089&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=47089&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.47089 | ||||||||||||
Resumo: | |||||||||||||
Sacrifice and divine pathos, approximations between René Girard
and Jürgen Moltamnn are inscribed among the fertile interdisciplinary
articulations of the theology of this open and sensitive time when speaking
of God in the contemporary world. The clues left by the strange relationship
between violence and religion, which had long troubled ethnology, but
which had recently cooled down with sparse responses, received fresh
breath through the Girard s work. Starting from the same sacrificial
hermeneutic key, but using distinct epistemological categories, Girard s
thought and Moltmann s theology merge, demonstrating the unusual
witnessing unity of the Gospels as a definitive complement to the narrative
of salvific history and full demonstration of God s pathos in favor of all
humanity. This is not simply because the Crucified is vindicated and
inscribed in atrocity and covert violence, but precisely because he is the least
probable victim of the whole story.
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