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Título: THE SÃO PAULO PUNK MOVEMENT AS A SYMPTON AND AGENCY OF A DESINTEGRATING WORKING CLASS
Autor: FILIPE PROENCA DE CARVALHO MORAES
Colaborador(es): MAURICIO BARRETO ALVAREZ PARADA - Orientador
Catalogação: 06/JAN/2020 Língua(s): PORTUGUESE - BRAZIL
Tipo: TEXT Subtipo: THESIS
Notas: [pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio.
[en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio.
Referência(s): [pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=46478&idi=1
[en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=46478&idi=2
DOI: https://doi.org/10.17771/PUCRio.acad.46478
Resumo:
This text aims to discuss transformations in the world of work and the working class, especially during the capitalist world crisis of the 1970s and 1980s. Understanding the punk movement as an important element that can give us clues of this process within the culture. Our hypothesis is that this movement was both a symptom and an agent. A symptom of a disintegrating working class to the work of an urban precarious. However, this movement also establishes itself as an active agent, especially in what concerns the debate around an agency in relation to the discipline of capitalist labor. We will focus on the movement of the city of São Paulo and the ABC of São Paulo, as well as its relationship with the working class of São Paulo. To do so, we will use primary sources, through elements of oral history, interviewing participants of the São Paulo punk movement and ABC. We will also visit the archives about punk movement of CEDIC (Center of Scientific Documentation of PUC SP), containing fanzines, discs, correspondences, etc. We will also use, as a tool, the analysis of punk songs and poems of the period, having as important conceptual element the conceptions of agency and experience present in the work of the English historian Edward Palmer Thompson. Still as a theoretical contribution, we will use some productions of books and articles about punk in Brazil and in the world.
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