Título: | THE STONE IDOL | |||||||
Autor: |
RICARDO GOMES QUINTANA |
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Colaborador(es): |
GILBERTO MENDONCA TELES - Orientador VANIA CHAVES - Coorientador |
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Catalogação: | 19/FEV/2004 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | |||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=4518&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=4518&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.4518 | |||||||
Resumo: | ||||||||
The Stone Idol is a fictional attempt to recreate the
episode known in Brazilian history as A Santidade de
Jaguaripe (The Jaguaripe Sanctity), an indian cult that
flourished in the sixteenth-century, in Bahia, and was
labelled as a heresy by the Inquisition during its first
visit to Brazil in 1591. A result of the hybridism between
the Catholic doctrine - propagated by the Jesuit fathers
and misunderstood by the Indians - and native beliefs, the
Sanctity had the power of enthralling even the Portuguese
settlers, fascinated by the degree of participation
demanded in its cerimonies. It is this very aspect that The
Stone Idol employs to put forward the hypothesis that the
cults popularity lay exactly in the offer of a mystic
experience that was absent from the Catholic church
celebrations at the time.
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