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ETDs @PUC-Rio
Estatística
Título: THE EMERGENCE OF THE REAL IN THEATRICAL EXPERIENCE
Autor: BRUNO SANTOS AUGUSTO
Colaborador(es): HEIDRUN FRIEDEL KRIEGER OLINTO DE OLIVEIRA - Orientador
DANIELA GIANNA CLAUDIA BECCACCIA VERSIANI - Coorientador
Catalogação: 27/MAR/2019 Língua(s): PORTUGUESE - BRAZIL
Tipo: TEXT Subtipo: THESIS
Notas: [pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio.
[en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio.
Referência(s): [pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=37506&idi=1
[en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=37506&idi=2
DOI: https://doi.org/10.17771/PUCRio.acad.37506
Resumo:
The master thesis The Emergence of the Real in Theatrical Experience offers a critical view on the play Nu de mim mesmo (Nude of myself) staged in Rio de Janeiro, in 2008, by the Companhia Teatro Autônomo (Autonomous Theatre Company) which represents an innovative reference in the Carioca theatre scenery of the past twenty years. Created in a collaborative process involving actors and the direction of Jefferson Miranda, in partnership with Flavio Graff, this production, based on the theatrical field in its specificity and materiality, also establishes dialogues with the fields of Literature, Fine Arts and Cinema. Throughout a metalinguistic driven investigation, the group can be inserted into a particular branch of the contemporary theatre that questions its own limits, offering an advantageous experimental field to the intercrossing of various medias. Within this scope, with an approach that is close to the constructivist perspective, the thesis rehearses alternative forms of understanding contemporary theatre, and analyzes concepts such as reality, meaning and identity, all of them understood beyond the reality/fiction dichotomy.
Descrição: Arquivo:   
COVER, RESUMO, ABSTRACT, ACKNOWLEDGMENTS, SUMMARY AND EPIGRAF PDF    
CHAPTER 1 PDF    
CHAPTER 2 PDF    
CHAPTER 3 PDF    
CHAPTER 4 PDF    
CHAPTER 5 PDF    
REFERENCES PDF