Título: | EVERYTHING MEANS, THE THINGS | ||||||||||||
Autor: |
SUZANA TEIXEIRA DE MACEDO |
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Colaborador(es): |
FREDERICO OLIVEIRA COELHO - Orientador |
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Catalogação: | 14/FEV/2019 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=36812&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=36812&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.36812 | ||||||||||||
Resumo: | |||||||||||||
Everything means, the things is a text and image study based on the short story O recado do morro, one of the component narratives of Corpo de Baile (1956) by Guimarães Rosa. This work aims to create a field of research from a set of objects, some preexisting and some produced within the framework of the study
itself. In addition to the short story, these objects are: the documentary seres, coisas, lugares, inspired by O recado do morro and shot in the municipality of Morro da Garça, Minas Gerais, the original setting of Rosa s tale; the writing experiment Tudo significa, as coisas, constructed predominantly of lines extracted from the documentary s raw footage; and the travel notebooks of Guimarães Rosa, published under the title A Boiada. The present study also includes: a critical reflections notebook, a relational notebook and a workbook. Through these objects, this study aims to identify, produce and reflect on relations - transits, resonances, liaisons, folds - between the spoken and written word; the literary and the nonliterary; documentary and fictional; cinema and literature; the Self and the Other.
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