The modernity represented a new period of changings to the world, with the development of Industry, the machines and the technologies, besides the metropolization of the great cities, that changed the perception and the scenes of the urban life of citizen. With the changing during this period, as the aesthetic revolution in Art, and the end of the utopias, makes us wonder that the critic view to the everyday life is one of the many ways to inquire the contemporary thinking. From the examples of crossings of this everyday life in art, like the exhibition Radical everyday life, from Marco Paulo Rolla (2015), and the film Wild tales, from Damián Szifron (2014), this dissertation intend to elucidate in which way art can mobilize not just the banal everyday life, but also the radical everyday life, defining this radicality, that potencializes the reflexive effect in the contemporary.