Título: | SPECTRAL BODY: MATERIALITY AND TRACE | |||||||
Autor: |
MAIRA FERNANDES RIBAS DE MELO E SILVA |
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Colaborador(es): |
ANA PAULA VEIGA KIFFER - Orientador |
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Catalogação: | 16/MAI/2017 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | |||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=29987&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=29987&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.29987 | |||||||
Resumo: | ||||||||
This dissertation is part of the research line New Scenes for Writing and relates body and contemporary art, proposing similarities between a certain idea of spectrum and two concepts: becoming-imperceptible (as in Deleuze and Guattari) and infrathin (as in Marcel Duchamp). Provoked by a few works from contemporary artists (Siluetas Series, by Ana Mendieta, The Ruins of Detroit, by Marchand and Meffre, Contemporáneo 30, by Elba Barion, and Underlie 04, by Mark Atkins), it makes a reading effort of them, crossed by these concepts.
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