Título: | THE BRAZILIAN MILITARY PERFORMANCE IN MINUSTAH AND THE HAITI PACIFICATION: GENDER AND RACE AS SITES WHERE BOUNDARIES ARE PRODUCED AND BRAZILIAN AMBIGUITY | ||||||||||||
Autor: |
PEDRO GOMES DE SOUZA BARROS |
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Colaborador(es): |
MARTA REGINA FERNANDEZ Y GARCIA MORENO - Orientador |
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Catalogação: | 12/SET/2016 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=27333&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=27333&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.27333 | ||||||||||||
Resumo: | |||||||||||||
Following the theoretical proposal for a critical analysis about peace operations, this research, embedded by feminists and postcolonials perspectives and in dialogue with feminist critical theory of Geography, highlight the ambiguity of Brazil as a pacificator during the MINUSTAH. Arguing that the Brazilian performance in the UN peace operation in Haiti must be analyzed as an encounter of Haitian and Brazilian histories this study examines how since the Christopher Columbus discovery, in 1492, until the green and yellow military performance (with their own history of pacification previous to the MINUSTAH) with blue helmet, which started in 2004 and it is ongoing, the relationship between a foreign force in Haitian soil with Haitians have had gender and race as sites where boundaries are produced. Looking at this encounter and theses sites the Brazilian military performance is understood as ambiguous due to the constant contingent reproduction of gender and race as sites where boundaries are produced.
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