Título: | TROPICUIR: POLITICAL (RE)EXISTENCES THROUGH QUEER PERFORMANCE ART IN RIO DE JANEIRO | ||||||||||||
Autor: |
CARLOS GUILHERME MACE ALTMAYER |
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Colaborador(es): |
DENISE BERRUEZO PORTINARI - Orientador |
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Catalogação: | 02/SET/2016 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=27275&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=27275&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.27275 | ||||||||||||
Resumo: | |||||||||||||
This research is dedicated to the listening of queer sexual dissident bodies in
the city of Rio de Janeiro, who from their disobedient aesthetic-political practices
work to disturb the heteronormativity order and question norms and the binary logic
of gender and sex. A cartography of insurgent actions as means to face the ever
increasing fascistization of the conservative Brazilian society, inseparable from the
neoliberal capitalist context in which it operates. Insubordinate bodies that
transform the pain and prejudice that cross them into non institutionalized powerful
queer political tools, to propose new ways of existence through art and design
practices: the art of performance, cyberactivism, graffiti, street mobilizations and
drag shows. Proposals that evoke reflections on critical issues such as violence
experienced by trans people made invisible by the binary logic of gender and sex;
the distorted forms of representation and invisibility of queer people in the Brazilian
media; the exaltation of the beauty of the anus as a reproductive organ of difference
and the starting point for new possibilities of life; and the state, family and religion
as control devices of queer bodies.
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