This thesis is the result of an artistic-literary experience. In this production, the aim was to investigate the desire and the creation process manifested in a person who develops the intellectual work through the artistic fabrication. In this open space that promotes freedom of creativity, this study is based on the concept of event to understand the production of subjectivity that appears as a first experiment in literary writing, result of a becoming-writer process. Fictionally, in a novel format, the text was built up by a creative writing with a theoretical complexity. In the metafiction, inspired by the arabian legend of Scheherazade, the narrator-protagonist wants to discover and to write down the past of his deceased grandmother, syrian-lebanese immigrant, so that she preserves alive at least in the materiality of literature. In the movement between the imprecise memory and the powerful imagination, while the main character can not find the truth, he decides to write the story of their ancestors as if it was a novel. However, he needs to confront the conflictual relationship of his family with the languages while knows the strategies of artistic writing. Therefore, in this study, the metalanguage was a literary resource used to write about a narrative processes. In addition, this text is a research-intervention that wishes to emphasise the full scope of the theoretical and critical thought through the potency of fiction writing in the contemporaneity.