Título: | MELLON COLLIE AND THE INFINITE SADNESS: ROCK, MELANCHOLIA AND CONSUMER SOCIETY | ||||||||||||
Autor: |
VICTOR MORETO SILVA TAVARES |
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Colaborador(es): |
VALTER SINDER - Orientador |
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Catalogação: | 28/AGO/2013 | Língua(s): | PORTUGUESE - BRAZIL |
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Tipo: | TEXT | Subtipo: | THESIS | ||||||||||
Notas: |
[pt] Todos os dados constantes dos documentos são de inteira responsabilidade de seus autores. Os dados utilizados nas descrições dos documentos estão em conformidade com os sistemas da administração da PUC-Rio. [en] All data contained in the documents are the sole responsibility of the authors. The data used in the descriptions of the documents are in conformity with the systems of the administration of PUC-Rio. |
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Referência(s): |
[pt] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=21946&idi=1 [en] https://www.maxwell.vrac.puc-rio.br/projetosEspeciais/ETDs/consultas/conteudo.php?strSecao=resultado&nrSeq=21946&idi=2 |
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DOI: | https://doi.org/10.17771/PUCRio.acad.21946 | ||||||||||||
Resumo: | |||||||||||||
This thesis discusses the consumer society, rock and roll and the
manifestation of melancholia in the second half of the twentieth century,
especially since the 1990s. Together, these terms represents an intimate dialogue
which helps us to analyze the society in different aspects: music production and
its social consequences; melancholia - and its concept - with an increasing
relevance in diagnostic and perceptions; consumer society as field for the
emergence of rock as to the appearance of the phenomenon melancholia; and
the relation rock x melancholy that produces social meanings. Also discusses
notions about individualism, linearity, social invisibility, market fetishism and
failure of the concept of progress.
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